Robert Scott Ηθοποιός
Born on August 8th, 1982. Originally from Panama City, Central America, he began his acting career in Santiago, Chile in 2002, cultivating his craft there before continuing it in Berlin, where he has been based since 2026. His standout project since arriving in Berlin is the film EXPLODING DUCKS by Matthias Glasner.
Επισκόπηση
ΕθνικότηταΗνωμένες Πολιτείες Αμερικής, Χιλή, Παναμάς
ΓλώσσεςΙσπανικά (Μητρική γλώσσα), Αγγλικά (άπταιστα), Αγγλικά - Αμερικανικά (άπταιστα), Αγγλικά - Βρετανικά (Βασικές γνώσεις), Γερμανικά (μανδαρινικά) (Βασικές γνώσεις), Ιταλικά (Βασικές γνώσεις)
Γεννημένος1982, Panama, Παναμάς
Ηλικιακό εύρος37 - 47
ύψος185 cm
Εθνικοί τύποιΛατίνος / Ισπανόφωνος, Πολυεθνοτικός
ΚατοικίαBerlin - Βερολίνο (Γερμανία), Florida (Ηνωμένες Πολιτείες Αμερικής), Berlin - Βερολίνο (Γερμανία)
πιθανή διαθέσιμη διαμονήSantiago (Χιλή), Panama (Παναμάς), Munich - Βαυαρία (Γερμανία), Madrid - Μαδρίτη (Ισπανία)
Άδεια εργασίαςEuropean Union, United States
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Εναλλακτικά στοιχεία επικοινωνίας:
Δεξιότητες
Γλώσσες Ισπανικά (Μητρική γλώσσα), Αγγλικά (άπταιστα), Αγγλικά - Αμερικανικά (άπταιστα), Αγγλικά - Βρετανικά (Βασικές γνώσεις), Γερμανικά (μανδαρινικά) (Βασικές γνώσεις), Ιταλικά (Βασικές γνώσεις)
Διαλέκτους Southern - American (Αρχική διάλεκτος), Standard American (άπταιστα)
Προφορές Αμερικανικά Λατινικής Αμερικής (μητρική προφορά), Ισπανικά (μητρική προφορά), Κρεολικά Καραιβικής (μητρική προφορά), Νοτιο-αμερικανικά (μητρική προφορά), Αγγλικά (πολύ καλό), Μεξικανικά (πολύ καλό), Αμερικανικά (καλή), Αργεντίνικα (καλή)
Χορός Bachata (πολύ καλό), Merengue (πολύ καλό), salsa (πολύ καλό), Εκπαίδευση χορού (πολύ καλό), Λατινοαμερικάνικος χορός (πολύ καλό), Χορευτικός αυτοσχεδιασμός (πολύ καλό), Χορογραφία (πολύ καλό), Χοροθέατρο (πολύ καλό), μπουτό (Ιαπωνία) (πολύ καλό), Afro (καλή), Dancehall (καλή), Forró (καλή), Freestyle (καλή), disco (καλή), rumba (καλή), Αφρικανικός χορός παραδοσιακός (καλή), Αφρικανικός χορός σύγχρονος (καλή), Μπαλέτο (καλή), τσα τσα (καλή), Capoeira (Βασικές γνώσεις), samba (Βασικές γνώσεις), urban χορός (Βασικές γνώσεις), Χορός Swing (Βασικές γνώσεις), Χορός του δρόμου (Βασικές γνώσεις)
Εύρος φωνής / φωνή για μεταγλώττιση Βαρύτονος
Μουσικά όργανα cajón (πολύ καλό), Αφρικανικά τύμπανα (καλή), Φλάουτο (καλή), κρουστά (καλή), Charango (Βασικές γνώσεις), bongos (Βασικές γνώσεις), Κιθάρα (Βασικές γνώσεις), Κρουστά (Βασικές γνώσεις)
Αθλητισμός Κολύμβηση (πολύ καλό), Μπιλιάρδο (πολύ καλό), Τάι Τσι (πολύ καλό), Τάι Τσι Τσουάν (πολύ καλό), αερόμπικ (πολύ καλό), γιόγκα (πολύ καλό), καράτε (πολύ καλό), Pilates (καλή), rafting (καλή), Βόλεϊ (καλή), Μοτοσικλέτα (καλή), Μπάσκετ/καλαθοσφαίριση (καλή), Μπόουλινγκ (καλή), Ξιφασκία (καλή), Ποδηλασία (καλή), Πολεμικές τέχνες (καλή), Πυγμαχία (καλή), Τζόκινγκ (καλή), θαλάσσιο σκι (καλή), ορεινή ποδηλασία (καλή), DL - Defense Lab / DNA Fight Science System (Βασικές γνώσεις), fitness (Βασικές γνώσεις), Βάρη (Βασικές γνώσεις), Επιτραπέζια αντισφαίριση (Βασικές γνώσεις), Καγιάκ (Βασικές γνώσεις), Πατινάζ στον πάγο (Βασικές γνώσεις), Τένις (Βασικές γνώσεις)
Άδειες οδήγησης δίπλωμα οδήγησης
Άλλες δεξιότητες δάσκαλος χορού
Εμφάνιση
Ηλικιακό εύρος 37 - 47
ύψος 185 cm
Σωματική διάπλαση Αθλητικός-η
Βάρος 80 kg
Χρώμα ματιών καφέ
Χρώμα μαλλιών καφέ
Χτένισμα μεσαίου μήκους σγουρά
Τρίχες στο πρόσωπο Γενειάδα
Δίδυμος/η Όχι
Εθνικοί τύποι Λατίνος / Ισπανόφωνος, Πολυεθνοτικός
Τατουάζ Ναι, δεν είναι ορατό
piercing Κανένα
Γυαλιά Όχι
Σημάδια Κανένα
Κατάρτιση και περαιτέρω εκπαίδευση
Universidad Finis Terrae
Professional Title: Actor / Bachelor Degree: Acting
Universidad Finis Terrae
Seminar/Workshop - Acting and Television. Instructor: Ivana Chubbuck. Topic: The Chubbuck Method. Based on the techniques of Uta Hagen and Lee Strasberg.
http://matusactores.com/escuela/
Advanced On- Camera Acting - Instructor level 2: Roberto Mattus. Level 3: Paulina Garcia
Facultad de Teatro Universidad de Chile
Dramatic Mime - Instructor: Ricardo Gaete
Universidad Finis Terrae
Dance Theater - Instructor: Thomas Bentin
Universidad Finis Terrae
Body weather and manipulations - Instructor: Elias Cohen
Universidad Finis Terrae
Seminar/Workshop - Instructor: Jorge Eines. The three binominals. The scene as a situation, the character as behavior
Facultad de Teatro Universidad de Chile
Theatrical Research - Raul Osorio
Universidad Finis Terrae
Devised Theatre - Instructor: Karstein Solli
Universidad Finis Terrae
Actor's Training - Instructor: Souphiene Amiar. From the Workcenter of Jerzy Grotowsky and Thomas Richards.
Universidad Finis Terrae
Butoh Dance - Instructor: Makiko Tominaga
CV Highlights CV - Τηλεόραση & Streaming CV - Κινηματογράφος CV - Θέατρο CV CV- Διάφορα
Highlights
2001 - 2004
Andres Garcia
Σκηνοθεσία
μέλος συνόλου
The play was created by the El Artificio theater company, directed by Andrés García, with a script by Marcelo Sánchez. Through a staging characterized by powerful physical expression, live music, and an atmosphere rich in symbolism, *Brujos* explores the ongoing conflict between the divine and the pagan, innocence and temptation, drawing on myths and legends that form part of northern Chile’s cultural heritage.
2016 - 2017
Mi Abuelo Horacio
Μονόλογος
Δράμα, μονόλογος
Malucha Pinto
Σκηνοθεσία
Κύριος ρόλος
The play “My Grandfather Horacio” is a theatrical production and storytelling performance written and directed by Chilean actress Malucha Pinto. It tells the true story of Horacio Cepeda Marinkovic, a detainee who disappeared during the dictatorship, from the perspective of his granddaughter.
2015
Malucha Pinto
Σκηνοθεσία
Δεύτερος ρόλος
A journey through the memories of the neighborhoods, told in the form of a narrative, recounts a passionate love story between two young neighborhood leaders in mid-20th-century Chile: Manuela and Tomás. Throughout the story, the protagonists unravel the origins, contradictions, dreams, convictions, emotions, and family and community ties of a social group driven by the longing to own a home and the joy of living life to the fullest, determined to take control of their destiny no matter the cost
2014
Malucha Pinto
Σκηνοθεσία
Δεύτερος ρόλος
The play was conceived as a tribute to the renowned director Andrés Pérez Araya. It explores themes of inclusion, diversity, and disability, telling the story of a young man with a disability who grapples with an existential question about his life and the world around him.
2013 - 2018
Aliocha de la Sotta
Σκηνοθεσία
Κύριος ρόλος
It is a journey through Cervantes’s Quixotic universe. It is the story of a failed author, convinced that he was unable to express and convey what he intended in his works, and that his readers therefore received a message different from—and distorted compared to—what he intended. A monologue brimming with frustration, misunderstandings, misinterpretations, and a dialogue of the deaf, delivered by an ironic, sarcastic, and libertarian character teetering on the edge of delirium.
2013
Eduardo Herrera
Σκηνοθεσία
Juan José
Κύριος ρόλος
The story takes place almost entirely in the backyard of a house, a space of freedom and confession for the characters. There, the three siblings (Juan José, José Luis, and María José) reminisce about the past, question their present, and look toward the future, grappling along the way with issues such as dementia, family roles, and personal crises.
2011 - 2012
Paulina García
Σκηνοθεσία
Lina
μόνιμος πρωταγωνιστικός ρόλος
Four spinster sisters and a sick father. The two eldest, who design wedding dresses, have had to kill their fiancés for mysterious reasons. The youngest—who, they say, is a monster—howls and scratches at a door. It all begins when the third sister brings home her boyfriend, who, drawn by the stories he has heard, cannot resist the curiosity to see the monster. Like all the men who see the mantis, he is led astray into a mystical ecstasy; for this reason, his girlfriend must kill him as well.
2011 - 2013
Cristina Alcaide
Σκηνοθεσία
Κύριος ρόλος
La Rebelión de Nadie tells the story of a chinchinero who, caught up in a society in crisis, decides to make a radical change in his life that leads him to reflect on his own history and that of his country. Taking refuge in an abandoned trolley, he secretly rebels against a world that, like him, is destined to disappear.
2011 - 2012
Paulina García
Σκηνοθεσία
Ivanov
Κύριος ρόλος
“Near Moscow” is a notable Chilean play directed by actress Paulina García and written by playwright Pablo Paredes. The production blends and reinterprets the famous plays *Ivanov* and *Platonov* by Russian playwright Anton Chekhov, adapting them to contemporary social realities.
2010
Raul Osorio
Σκηνοθεσία
μόνιμος ρόλος
This story by Nikolai Gogol tells the tale of the inhabitants of a Russian village, far from the big cities, who receive a telegram announcing the arrival of a central government official to conduct a thorough review of the village’s public affairs.
The inevitable arrival of the visitor immediately causes great unease among the local authorities, who fear that the fraud and corruption that are part of daily life there will be exposed.
2019
Gonzalo Diaz
Σκηνοθεσία
Armando
Δεύτερος ρόλος
Salvador is a young Chilean who moves to London to study English and travel around Europe. While in London, he stays with his aunt Maria, an immature and alcoholic 55 year old woman. When Salvador's parents face unexpected economic hardship, it threatens to cut short their son's London experience. Seduced by what the city has to offer, Salvador refuses to return to Chile. With the help of Maria and his other flatmates (Ivan, a Russian drug dealer and Yoshiko, his Japanese girlfriend), he manages
2025
Performan
ταινία μικρού μήκους
Antonia Renard
Σκηνοθεσία
Josué
Κύριος ρόλος
CV - Κινηματογράφος
2026
Matthias Glasner
Σκηνοθεσία
Aguti
Δεύτερος ρόλος
Just released from prison, a former CIA Agent tries to find her daughter and lover and has to fight drug bosses, manipulative spies and inner demons.
2025
Performan
ταινία μικρού μήκους
Antonia Renard
Σκηνοθεσία
Josué
Κύριος ρόλος
2019
Gonzalo Diaz
Σκηνοθεσία
Armando
Δεύτερος ρόλος
Salvador is a young Chilean who moves to London to study English and travel around Europe. While in London, he stays with his aunt Maria, an immature and alcoholic 55 year old woman. When Salvador's parents face unexpected economic hardship, it threatens to cut short their son's London experience. Seduced by what the city has to offer, Salvador refuses to return to Chile. With the help of Maria and his other flatmates (Ivan, a Russian drug dealer and Yoshiko, his Japanese girlfriend), he manages
CV - Θέατρο
2016 - 2017
Mi Abuelo Horacio
Μονόλογος
Δράμα, μονόλογος
Malucha Pinto
Σκηνοθεσία
Κύριος ρόλος
The play “My Grandfather Horacio” is a theatrical production and storytelling performance written and directed by Chilean actress Malucha Pinto. It tells the true story of Horacio Cepeda Marinkovic, a detainee who disappeared during the dictatorship, from the perspective of his granddaughter.
2015
Malucha Pinto
Σκηνοθεσία
Δεύτερος ρόλος
A journey through the memories of the neighborhoods, told in the form of a narrative, recounts a passionate love story between two young neighborhood leaders in mid-20th-century Chile: Manuela and Tomás. Throughout the story, the protagonists unravel the origins, contradictions, dreams, convictions, emotions, and family and community ties of a social group driven by the longing to own a home and the joy of living life to the fullest, determined to take control of their destiny no matter the cost
2014
Malucha Pinto
Σκηνοθεσία
Δεύτερος ρόλος
The play was conceived as a tribute to the renowned director Andrés Pérez Araya. It explores themes of inclusion, diversity, and disability, telling the story of a young man with a disability who grapples with an existential question about his life and the world around him.
2013 - 2018
Aliocha de la Sotta
Σκηνοθεσία
Κύριος ρόλος
It is a journey through Cervantes’s Quixotic universe. It is the story of a failed author, convinced that he was unable to express and convey what he intended in his works, and that his readers therefore received a message different from—and distorted compared to—what he intended. A monologue brimming with frustration, misunderstandings, misinterpretations, and a dialogue of the deaf, delivered by an ironic, sarcastic, and libertarian character teetering on the edge of delirium.
2013
Eduardo Herrera
Σκηνοθεσία
Juan José
Κύριος ρόλος
The story takes place almost entirely in the backyard of a house, a space of freedom and confession for the characters. There, the three siblings (Juan José, José Luis, and María José) reminisce about the past, question their present, and look toward the future, grappling along the way with issues such as dementia, family roles, and personal crises.
2011 - 2012
Paulina García
Σκηνοθεσία
Lina
μόνιμος πρωταγωνιστικός ρόλος
Four spinster sisters and a sick father. The two eldest, who design wedding dresses, have had to kill their fiancés for mysterious reasons. The youngest—who, they say, is a monster—howls and scratches at a door. It all begins when the third sister brings home her boyfriend, who, drawn by the stories he has heard, cannot resist the curiosity to see the monster. Like all the men who see the mantis, he is led astray into a mystical ecstasy; for this reason, his girlfriend must kill him as well.
2011 - 2013
Cristina Alcaide
Σκηνοθεσία
Κύριος ρόλος
La Rebelión de Nadie tells the story of a chinchinero who, caught up in a society in crisis, decides to make a radical change in his life that leads him to reflect on his own history and that of his country. Taking refuge in an abandoned trolley, he secretly rebels against a world that, like him, is destined to disappear.
2011 - 2012
Paulina García
Σκηνοθεσία
Ivanov
Κύριος ρόλος
“Near Moscow” is a notable Chilean play directed by actress Paulina García and written by playwright Pablo Paredes. The production blends and reinterprets the famous plays *Ivanov* and *Platonov* by Russian playwright Anton Chekhov, adapting them to contemporary social realities.
2010
Raul Osorio
Σκηνοθεσία
μόνιμος ρόλος
This story by Nikolai Gogol tells the tale of the inhabitants of a Russian village, far from the big cities, who receive a telegram announcing the arrival of a central government official to conduct a thorough review of the village’s public affairs.
The inevitable arrival of the visitor immediately causes great unease among the local authorities, who fear that the fraud and corruption that are part of daily life there will be exposed.
2001 - 2004
Andres Garcia
Σκηνοθεσία
μέλος συνόλου
The play was created by the El Artificio theater company, directed by Andrés García, with a script by Marcelo Sánchez. Through a staging characterized by powerful physical expression, live music, and an atmosphere rich in symbolism, *Brujos* explores the ongoing conflict between the divine and the pagan, innocence and temptation, drawing on myths and legends that form part of northern Chile’s cultural heritage.
CV- Διάφορα
2023
Antonia Renard
Σκηνοθεσία
Συν-πρωταγωνιστικός ρόλος
